Rap Movie Reviews

Rap Movie Review – Half Past Dead

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Year of Release: 2002

Film Studio: Sony Pictures/Screen Gems/Franchise Pictures

I have not really been keeping up with this lately, but because I have plans to write about the Murder Inc compilations in February, I figured that this would be a good place to start. It is not just because Ja Rule is in this film, and also Kurupt, but also because there is a good amount of songs from The Inc on the soundtrack, and also other stuff from non-Murder Inc performers.

I will add that I have also been on a Steven Seagal kick lately, probably thanks to a YouTuber who I follow named Ramboraph4life as not too long ago he had done a Seagal marathon where he reviewed and ranted on films that he starred in. I still have Exit Wounds to do, and I will cover that one in the near future along with its soundtrack, but that will be for my Andrzej Bartowiak’s martial arts hip-hop trilogy marathon which also consists of Romeo Must Die and Cradle 2 The Grave, along with the soundtracks to those films.

Anyway, I am here to talk about Half Past Dead, the last movie that Steven Seagal starred in that was given a theatrical release, which also has Ja Rule in a starring role. This movie came out nearly two years after Exit Wounds, which was a surprise hit and that was also another movie that Seagal had done with a rapper, who was DMX. For many years I had heard that this film was the last straw for Steven Seagal as a leading man in theatrical movies because afterwards he had starred in a slew of direct-to-video films. I think another reason was that this film was a critical and box office flop. A lot of people disliked the film and it did not make a lot of money. Of course, I decided to see it for myself.

Some of my synopsis may contain spoilers.

The film’s story in a nutshell is about this undercover FBI who is infiltrating a prison because a criminal plotted to interrogate a prisoner about stolen gold and where to find it. The film’s title has to do with how Seagal’s character was declared dead at the beginning of the film, only to be revived. Seagal played Sasha, the FBI agent who was undercover in a criminal operation with his friend, Nicholas, played Ja Rule. Of course, Ja’s character did not know that he was undercover at first. The opening sequence was more of a prologue as Sasha was shot and the main plot takes place eight months after those events. The villain, who is called 49er One (don’t ask), played by Morris Chestnut, leads a team of criminals, also codenamed 49ers with a number after that. For example, the second-in-command, played by Nia Peeples, is named 49er Six. My only guess is because the film took place on Alcatraz and being that they are after gold, it is rather clear as to why they are named that. In some ways this feels like The Rock, with Sean Connery, Nicolas Cage and Ed Harris, but with elements from The Matrix thrown in.

In regards to whether this film was bad is entirely subjective, but I personally didn’t mind it. Would I call it good? No, but there was some fun to be had. The thing that really got me were the acting from parts of the cast. I can’t really say much about Seagal’s acting considering how he has admitted that he is not much of an actor and how in a lot of movies he basically plays the same type of character, or is he playing himself? I can never tell. Ja didn’t do a bad job in his role but I have not seen enough roles of his to really say if he is playing himself. I know he was in a movie with Pras (From The Fugees) called Turn It Up, but I have never seen it. He was only in The Fast and The Furious for a few minutes and the only other film that I have seen with him was The Cookout, but that was a long time ago and I mostly remember that being a cheesy comedy. As for Morris Chestnut, his performance as the villain felt like he went through the motions. I couldn’t buy him as a bad guy. I felt that he was more convincing as a criminal-type in the movie Confidence, which came out sometime after this one. He didn’t really convince as a bad guy in this film and he is usually such a good actor. Nia Peeples didn’t have much to work with except be the femme fatale who wore tight leather and did martial arts. Also she reminded me too much of Trinity from The Matrix in this. She even wore a trenchcoat in some fight scenes.

As for others, Kurupt basically played the comic relief in this film. He was actually pretty funny in some scenes, one of which included comedienne, Mo’Nique. I can’t say he acted much before this except for one small scene in The Wash, but that was it.

As for action scenes, this movie was chock full of explosions and pyrotechnics that I think it would make Michael Bay blush. The film was already over-the-top, but it just felt like firework show in some sequences. There was a lot of ridiculousness in some other sequences like one that had Seagal and Ja driving a car and Ja totally flew out of a car or when Kurupt fired a rocket launcher and was sent flying. Those scenes got a laugh out of me for the absurdity in both scenes. Not to mention when a gun got caught in an elevator door and Seagal flipped it over to have it point at the bad guys. Also, I could not help but laugh during the climax when two guys jump from a balcony and start firing their guns. I mean, come on, how could the bullets not hit the other guy who jumped as well?

Of course, I can’t complain about the fight scenes, even though some involved doubles for some people. Although Peeples’ character was a total knock-off of Trinity, she impressed me a bit in her fight scenes. I can’t say that I am surprised because she had done a lot of fight scenes when she was in Walker, Texas Ranger.

Acting and action scenes aside, the complaint I had for the most part were some songs from the soundtrack. I wonder if this movie was edited and initially supposed to be rated R. This was PG-13, and I believe it is Steven Seagal’s only PG-13 film. The reason for my complaint is that a lot of the songs were edited. This film came out around the same time as the compilation, “Irv Gotti Presents The Inc” and a number of songs from that compilation appeared on the soundtrack. The film started with “Gangstafied” from a few Murder Inc artists (Including Ja) and it was distracting to hear parts of the lyrics censored. The same can be said about the use of “I’ma Bang” from DMX. It was just weird to hear it censored when it said “Do My Motherfucking Thing.” If the movie was rated R, the lyrics would all be intact.

I also must add that the song in the credits, “The Pledge (Remix)” contained clips from this film in the music video for it.

End spoilers.

Half Past Dead is more flash than substance, however, the film is still fun to watch for some reason. I don’t think this is a good film, but it is entertaining in some areas. I found myself laughing with and at some scenes, especially at a little Sony product placement with an inmate playing PS2 in a cell. The film also didn’t take itself seriously which was one reason that I had fun with it. I also must add that there is a direct-to-video sequel that stars Bill Goldberg and from what I understand, Kurupt reprised his role in that film. I might watch that and review it one day because judging from the DVD artwork it appears that Kurupt has a bigger role in that one than in this one. I am also curious about Bill Goldberg’s performance being that I am mostly used to seeing him in his wrestling persona. I’ll check it out one day.

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Album Review: West Coast Bad Boyz – High Fo’ Xmas

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Year: 1994

Label: No Limit Records/Solar Music Group

Track Listing:

  1. High Fo’ Xmas
  2. Intro
  3. Lock Up Fo’ Xmas
  4. Talk
  5. Jacking Fo Da Holidays
  6. Chillin’ N Da Game
  7. Ghetto Nite
  8. Christmas In Da Ghetto
  9. Hood Carols
  10. Rev. Do Wrong Xmas Party
  11. No Limit Party

So now I am continuing with my Christmas/holiday special. I held on to my promise to do the compilation of “High Fo’ Xmas” from West Coast Bad Boyz. This is a No Limit album, by the way, and unlike “Christmas On Death Row,” this isn’t a traditional holiday album and I will admit that I bought this album as kind of a counter to the Death Row album. I saw that this wasn’t a family-friendly Christmas album to begin with.

If anything I bought this as a joke on my part. It wouldn’t be the first time that I heard some Christmas rap song that isn’t really appropriate to listen to. “Merry Muthaphuckkin Xmas” from Eazy-E is a rather humorous song that spoofs Christmas songs. Some songs on here are similar to that, and then you also have songs that didn’t need to be on this album to begin with.

I will note that this album came out in the days when No Limit still represented the West Coast, particularly the Bay Area. This was before they became a more south-based label when they had those gaudy Pen & Pixel album covers. Hence why this was a West Coast Bad Boyz compilation.

One thing that really got me about this album was that it had the intro as the second track, when the intro is often the first track of the album.

Anyway, a lot of the tracks on this album varied and mentioned Christmas and the holidays in passing, but there weren’t that many tracks that were about Christmas. For example, the opening track, which was also the title track, talks about getting high around the holidays in one of the verses, but then the rest has little reference to the holidays. Not a bad track. It has a laid-back beat that has the feel of a stoner song. Hence the name.

“Lock Up Fo Xmas” was similar in that it talked about being locked up during Christmastime but then went into the struggles of being locked up. King George, a rapper who I am really unfamiliar with, actually had good verses in this song. So this was actually a decent track. I will say the same thing, or maybe that this song was better, when thinking of “Jacking Fo Da Holidays,” as that song used a lot of beats from different songs ranging from “Thuggish Ruggish Bone” from Bone Thugs to “Funkdafied” from Da Brat. There were a lot of beats used on this song to name, and it was funny to hear P try to rap some of the verses similar to the rappers from each respective song.

One song that drew my attention prior to buying this album was “Christmas in da Ghetto” and it’s kind of a strange track to listen to as there is some transition in beats when listening to the chorus and the verses. One minute you would hear the chorus, which is similar to “Deck The Halls,” and then when you hear the verses from C-Murder and Master P, it has a totally different beat. I will add that when I listened to one verse from C-Murder, it reminded me of a song from RBL Posse, particularly from their album, “A Lesson To Be Learned.”

“Rev. Do Wrong Xmas Party” is another decent track from other No Limit rappers during that time, Big Ed (RIP), Lil Ric, and Dangerous Dame.

Keeping with the Christmas theme that this album has, a couple of interludes had different versions of traditional Christmas carols, like “Ghetto Nite” was a different take on “Silent Night.” While the “Hood Carols” was Master P singing his own rendition of “The 12 Days of Christmas.” It’s actually rather humorous.

Remember when I said that there were tracks that felt like they belonged somewhere else? Well, those two songs are “Chillin’ in Da Game” and “No Limit Party,” which the latter is a remix. They have absolutely nothing to do with Christmas, but they are decent tracks nonetheless. I now wonder where I could find the original version to “No Limit Party.”

The only thing that I have an issue with about this album is that it really didn’t have the feel of a gangsta rap Christmas album. Sure, there were songs that talked about getting high, the drug game or hard time around the holidays, but take that part away and it really wouldn’t have made a difference. It’s still a decent compilation, though. I plan to do other No Limit albums in the future and I know that there are a lot out there.

Top 5 Tracks:

  1. Jacking Fo Da Holidays
  2. Christmas In Da Ghetto
  3. Lock Up Fo Xmas
  4. High Fo’ Xmas
  5. Rev. Do Wrong Xmas Party
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Album Review: Christmas on Death Row

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Year: 1996

Label: Death Row Records/Interscope Records

Track Listing:

  1. Santa Claus Goes Straight To The Ghetto – Snoop Dogg, Nate Dogg, Daz Dillinger, Bad Azz, and Tray Deee
  2. Christmas Song – Danny Boy
  3. I Wish – Tha Dogg Pound
  4. Silver Bells – Michel’le
  5. Peaceful Christmas – Danny Boy
  6. Christmas in the Ghetto – O.F.T.B. (Operation From The Bottom)
  7. Silent Night – B.G.O.T.I., 6 Feet Deep, and Guess
  8. Be Thankful – Nate Dogg feat. Butch Cassidy
  9. On This Glorious Day – 816
  10. Frosty The Snowman – 6 Feet Deep
  11. O Holy Night – B.G.O.T.I.
  12. Party 4 Da Homies – Sean Barney Thomas feat. J-Flexx
  13. White Christmas – Guess
  14. This Christmas – Danny Boy
  15. Have Yourself a Merry Little Christmas – 6 Feet Deep
  16. Christmas Everyday – Guess

It is now December and before I had started this blog, I had planned on doing a review on “Christmas on Death Row,” which was, as you would guess, a Christmas-themed album released by Death Row Records. Not just that, I just realized that today was the 20-year anniversary since its release, so what better way than to kick off this month than to review this album, especially on its anniversary?

Before I get into the album, let me just give some input on the deal regarding this album. Regarding the Death Row label, anybody who had listened to rap at any point in their lives would know what the contents of the music from this label consisted of, whether they involved drugs, violence, sex, misogyny, you get the picture. I will admit that when I was 10 years old, when I had heard about a Christmas album from Death Row coming out, I chuckled a bit. It just seemed a bit off because of what I was used to hearing from them, whether it was from Dr. Dre, Snoop Dogg, 2Pac, etc. Hell, the album refreshed my memory about four or five years later when Death Row started re-releasing their albums and all the artworks had said “Digitally Remastered” on the cover. However, being that I was a teen then, I remember going on Amazon and looking at the listing and seeing a lot of negative feedback for this album. I was a naive kid then so I assumed that the album would suck. Then came when I reached my 20’s and the curiosity kicked in again.

I looked up the album again and finally listened to some samples and thought “Hey, maybe I would give this a shot.” I later bought it online and noticed that the copy that I got was the original 1996 release. Which I think was better considering how I liked on the “Parental Advisory” label, it had a red bow on top of it, unlike the 2001 re-release. Also, I will get to the part about the PA label.

Anyway, being that a lot of people would assume that this is a rap album that has people rapping about Christmas mixed in with violent content and other no-so-family friendly content, I decided that I would do the rap songs first before I go into anything else.

The song that kicked off this album was “Santa Claus Goes Straight To The Ghetto” from Snoop, Daz, Bad Azz, Nate Dogg, and Tray Deee. It is an interesting song considering how each guy talked about their experiences around Christmas time and as always, Nate Dogg (RIP) delivered a solid hook to the song. Plus, the song had a laid-back beat as it sampled “Do Your Thing” from the late Isaac Hayes. It’s a good song that was accompanied with an even better video. You just have to see it to believe it.

The thing that got me about “I Wish” from Tha Dogg Pound were the lyrics from Daz and Kurupt about how they wish they had love around the holidays. It was refreshing to hear them in a vulnerable state talking about how it was hard for them around the holidays. It had a good beat to go with it, produced by Daz, and also a chorus from a female singer, who I have trouble identifying.

And finally, in regards to the rap tracks of the album, we get to “Christmas in the Ghetto” from O.F.T.B.. I am mostly unfamiliar with these guys as I only know their songs from this album, the “Above The Rim” soundtrack, the “Gridlock’d” soundtrack, and the “Gang Related” soundtrack. I know that they had an album before signing with Death Row and later an album album on Death Row that was released way after the label’s heyday (When the label was seized by Wideawake and released a lot of their unreleased albums), both of which I may check out sometime down the line. Anyway, regarding this track, I have to give these guys credit for rapping about how Christmas was hard for them in the ghetto, but it really didn’t need the beat for the song as it was best suited for any other song. It’s one of my least favorite songs from the album, despite the lyrics and content, both of which also could have been better. Also, believe it or not, this song was the reason that this album was slapped with the Parental Advisory label. Yes, that is right, this song actually had profanity on there. Believe it or not, “Santa Claus Goes Straight To The Ghetto” and “I Wish” had no profanity in them at all. All three songs had minor drug references as they mentioned weed here and there, but that was about it, but the other songs were more appropriate to listen to around people.

That is about it for the rap tracks (Well, there is one other track with a rap verse that I will get to). What? You thought that this would be all rap? Well, that is not the case, because Death Row also had a lot of R&B acts on the label. That’s right, the majority of the album is R&B, which is not a bad thing. In fact, R&B works better for an album like this. First, I will touch on the original tracks before I touch on the traditional tracks.

“Peaceful Christmas” is one of three songs that Danny Boy had done for this album. This is actually a more original track as it isn’t one of those Christmas songs that you hear all the time during the holidays. In fact, some of the lyrics made reference to a few traditional Christmas songs. Danny Boy shined in this track with his soothing vocals, but regarding the beat of the song it gives off a rather dated feel. This album was released in the 1990’s, so it had a 90’s R&B feel. The beat reminded me a bit of “Pretty Brown Eyes” from Mint Condition. If you can look past that, the song is solid.

“Be Thankful,” on the other hand, is a very relaxing song to hear from Nate Dogg, along with Butch Cassidy, who provided additional vocals. Nate’s vocals didn’t come in until 30 seconds into the track as it started with an instrumental intro. The soulful vocals were strong with the two singers and the song’s message really stands out too. It had a nice soothing beat, too.

I was unsure if “On This Glorious Day” was a traditional track, but it seemed like it wasn’t as it had more of a holiday feel than it a religious feel from a more common song of the same name. This song was from 816, which I suppose was an R&B group on Tha Row at the time but never came out with anything new. The thing that I also must point out is that the intro to this song was also used in the intro bit for the video to “Santa Claus Goes Straight To The Ghetto.” Anyway, I have to say that this is actually a solid track. The beat and the lyrics can really get you in the mood for Christmas. It’s actually a standout, in my opinion.

However, the last of the original R&B tracks left a lot more to be desired with “Party 4 Da Homies” from Sean Barney Thomas. The beat was a little too fast-paced and a bit out of place, too. It was mostly a song about setting up a Christmas party with the guys and having a bunch of women over. J-Flexx provided the rap verse for this song, which was also a bit mixed in some areas, as in he rapped about partying in the majority and then at the end said to be thankful for what you have in life. I get that the final bit of the rap verse was to get people in the spirit, but it didn’t help. Also, the chorus was rather repetitive. This song was actually another one on here that I didn’t care for.

The rest of the album had covers of traditional Christmas songs. The main thing that I noticed is that a lot of them were done by the same artists. What I mean is that you had multiple songs by one artist, and other songs done by a group, and then it happened with another few.

“Silent Night” featured an ensemble of B.G.O.T.I. (Which stood for “Bad Girlz of The Industry), 6 Feet Deep, and Guess. I have no idea who 6 Feet Deep and Guess are, but I mostly know of B.G.O.T.I. from their contributions to the “Gridlock’d” and “Gang Related” soundtracks. That is about it. Anyway, this version actually had a gospel-like feel to it. I can’t complain about the vocals from the singers on this song, but I think it was a little too long. That was about it in terms of complaints. But it’s still good. Also, this song had a video to go with it.

As for the other covers, I wasn’t too big on 6 Feet Deep’s version “Frosty The Snowman” as it had the feel of a boy band covering it, but I’ll listen to it if it comes on. The same could be said about “White Christmas” from Guess, which feels dated now as it has that 90’s R&B feel. It had a unique spin on it, but it’s not too bad.

However, “Have Yourself a Merry Little Christmas” from 6 Feet Deep was actually a pretty good song from them, but it did not need the interlude in the middle of the song with one of the singers talking about the group. So that docked a few points from the song.

Guess’s version of the Smokey Robinson song, “Christmas Everyday” actually surprised me a bit when I first heard it. It definitely has a more urbanized touch to it and the singers really did a good job in trying to do Robinson’s vocal style in it. I cannot complain about this one.

The other two Danny Boy tracks, “The Christmas Song” and “This Christmas,” were more of a bright spot as he had provided soothing vocals and both songs had quite a jazzy beat to them. Both songs stood out and I will also say the same thing about “O Holy Night” from B.G.O.T.I.. Those ladies really gave it their all on their vocals.

Michel’le had only one track on here and that was her version of “Silver Bells,” which was pretty straightforward and she provided some great vocals like always. It was a pretty good track from her. I don’t understand why she didn’t have any other songs on here.

Overall, I have to give Death Row credit for trying to do a holiday album. This album is not bad, by any means. It’s actually decent, even though there are a couple of songs that I did not like, and a few that I wasn’t crazy about but would still listen to. It’s definitely not a gangsta rap album like one would think. It’s kind of funny to see the Death Row logo decked out in Santa gear on the album cover. It also must be noted that with the exception of “Christmas In The Ghetto,” this album is appropriate to listen to around people. So don’t be afraid to blast it while doing stuff (Though skip that track if you must, otherwise just burn a copy without that song). Also, Christmas albums from hip-hop labels are nothing new. In fact, I will review “High Fo’ Xmas” very soon, as in West Coast Bad Boyz. Stay tuned.

Also, check out the artwork that was used on the inside of the booklet. It’s a nice touch how the artist put the wings and halo on Tupac, because this album was released after he was killed. I wonder if he hadn’t died if he would have contributed to it.

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Top 5 Tracks:

  1. Santa Claus Goes Straight To The Ghetto
  2. I Wish
  3. Be Thankful
  4. On This Glorious Day
  5. Silver Bells
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Review: Method & Red Episode 4 – One Tree Hill

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Original Air Date: July 7, 2004

I will say that I have been putting off continuing my series of Method & Red episode reviews, but I will also point out that I still planned to finish them. I took the month of October off to do other pieces on other things and now we are more than halfway through November, it is time to continue this. I will also point out that I have plans for December as I will do a review on the Christmas on Death Row album, along with High Fo’ Xmas from West Coast Bad Boyz, which is a No Limit album. At the moment, I can’t think of other things that are Christmas-related that I might do, but I will do those for sure.

Now onto the review of this episode.

The first thing that I must point out is that yes, this episode is entitled One Tree Hill, and it shared the name of a relatively popular drama series that was on around the time this episode aired. I wonder if the people at the WB got on the people at Fox for the use of the name. Anyway, this episode’s plot has to do with Red and Meth becoming presidents of the Neighborhood Homeowner’s Association and then they get mad with power that they forget about other things. The episode’s title is derived from the fact that Meth’s mother, Dorothea, has a tree in their yard that she had been planting for years and it meant a lot to her.

Regarding the episode’s quality, while it was still a bit over the top in some areas, it actually conveyed a decent message in the end. The one thing that it really did not need is to repeat a gag twice, however. It got a chuckle out of me the first time, but when it was done the second time it wasn’t as funny. It also felt different than the previous episodes considering how Meth and Red were a lot more antagonistic to Nancy in this episode as they had more of the upper hand on her than before. I get that despite the two being presented as protagonists that they aren’t exactly “good guys,” but in this episode they looked more like assholes than before. However, it might be the point as the two got mad with power and things got worse for them later.

Until I watched this episode I had forgotten about this one. I mostly remember when Nancy told Method Man and Redman about what led to their inevitable fall from grace at the end of the episode. I can’t complain too much about the writing as it was a little different than what had been seen so far. I just didn’t like how Red and Meth were portrayed for the most part in the episode, but like I also said, it conveyed an average message about how power can get the better of someone and that they tend to forget about other things that are more important. It might be least favorite episode yet, but I didn’t hate it as I was still entertained.

Next up, Episode 5. Stay tuned.

Preview and editorial: Method and Red TV series

Review: Method & Red Episode 1 – Pilot

Review: Method & Red Episode 2 – The Article

Review: Method & Red Episode 3 – Well Well Well

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Movie Soundtrack Review – Tales From The Hood

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Year: 1995

Label: 40 Acres and a Mule Musicworks/MCA Records

Track Listing:

  1. Let Me At Them – Wu-Tang Clan
  2. Face Mob – Facemob feat. Scarface
  3. Tales From The Hood – Domino
  4. Born II Die – Spice 1
  5. Ol’ Dirty’s Back – Ol’ Dirty Bastard
  6. I’m Talkin’ To Myself – NME & Grench The Mean 1
  7. The Hood Got Me Feelin’ The Pain – Havoc & Prodeje feat. Dawn Green
  8. One Less N***a – MC Eiht
  9. From The Darkside – Gravediggaz
  10. Death Represents My Hood – Bokie Loc
  11. Hot Ones Echo Through The Ghetto – The Click
  12. The Grave – NGN feat. Killa

Prior to starting this blog, I had plans to write pieces on a bunch of albums in my collection and until now, I decided to wait until a particular time to write one on the soundtrack to the 1995 film “Tales From The Hood.” Now why did I wait until October to write a review on this film’s soundtrack? I figured because it’s Halloween-time and what better time than to write it on this? Anyway, let’s get on with it.

This album is quite a mixed bag, but I don’t mean in terms of quality. I mostly mean in terms of style. On one hand you have songs that are dark and creepy. On another hand you have some songs that are just straight violent and have more of a gangsta feel, and then you have some songs that either have some somber feel to it or just a little more of a straight hip-hop feel to it. So despite being the soundtrack to a horror film, it is not a horrorcore rap album, at least not at 100 percent.

To put it bluntly on the latter category, a couple of good examples of just straight hip-hop are the tracks, “Let Me At Them” and “Ol’ Dirty’s Back,” both of which are from two Wu-Tang Clan members, Inspectah Deck and Ol’ Dirty Bastard. First thing I must note is that even though it says that it’s a Wu-Tang Clan song, it’s only Inspectah Deck on the song. Not that it’s a bad thing, as it’s a standout track from him, but it could have just listed him instead of the group’s name or at least “Inspectah Deck of Wu-Tang Clan.” Anyway, “Let Me At Them” is a good track to kick things off as it is Deck spitting some sick rhymes in the process. It almost feels like he has one long verse in the song and he even produced the beat, according to the booklet. What a way to kick it off.

Now what about the ODB track? The only thing that I didn’t like about the track was the intro, with some boy calling out the names of west coast rappers, but then ODB said “Enough respect to the west coast,” as it is no dis to them. The beat on this song was rather grimy and ODB, along with his brother 12 O’Clock, had some good rhymes on this song. So score another one for the Wu on this album.

Regarding the gangsta tracks, “Face Mob” from…well, Facemob was actually a hardcore track in its own right. The first verse was done by Scarface and I think DMG and Smit-D were the ones who did the other two. The beat had a dark and gritty feel for the song and the lyrics went with it. While The Click’s “Hot Ones Echo Through The Ghetto” had a more upbeat feel to it with its beat, while the verses from each member were good, but it seems that E-40 and B-Legit had more than D-Shot and Suga-T, not to mention that she had the shortest verse on the song. Of course, frequent Sick-Wid-It collaborator, Levitti, provided the vocals on the chorus. And then you have a more somber-type of song from MC Eiht called “One Less N***a.” This song is like a mix of “Take Two With Me” and “Nuthin’ But Da Gangsta” from his first solo album, “We Come Strapped.” It has a more mellow yet somber beat that is mixed with hardcore lyrics. Not a bad mixture. I wouldn’t doubt if he had done this song not long after that album as it is similar to those two aforementioned tracks.

Then you have “The Hood Got Me Feelin’ Pain” from Havoc & Prodeje of South Central Cartel, NOT to be confused with Mobb Deep (The spelling of Prodeje is different from Prodigy), which is a song about the hard times in the hood. It felt like an emotional song from these guys and they spoke about the struggles. Dope track in my opinion.

Domino’s “Tales From The Hood” talks about the trials and tribulations of living in the hood as well. Domino mostly sang on this track and I think that was mostly his style looking back, as I still don’t really know much about him outside of “Getto Jam.” The rapper, Chill, on this track did a decent verse. Also, the beat was rather mellow, yet a little creepy.

Now we get to the horrorcore tracks. The odd thing about these tracks is that the majority of them were done by guys I have never even heard of before buying this album, while two other tracks were done by guys who are more known. I will start with the more known guys first.

Let me just say that one of the horrorcore tracks that stood out the most in this album was “Born II Die” from Spice 1. Now I know Spice 1 has more of a gangsta-style in his music, but this song has horror written all over it with his graphically violent lyrics and rather horror-style beat. Hell, I wonder if the beat that was used in the trailer for the film was a slowed down version of this song. If you saw the movie, there is no denying how well it went with that sequence.

“From The Darkside” by Gravediggaz also has a horror-like beat to it. It seems that it sampled some opera song. The beat was mixed by Prince Paul. I am going to tell you right now, you will get the chorus stuck in your head with them saying “You are dumb, and deaf, and blind.” It’s just infectious in an odd way.

Now we get to the three tracks from the unknowns. I don’t know if any of these guys had recorded albums after this, but if not, it’s a real shame, because these three songs are exceptional and have a good horrorcore vibe to them. Not to mention that the rappers had good verses in those songs. My favorite of the three is “The Grave,” especially when you hear that deep voice and that evil laugh towards the end of the song. However, “I’m Talkin’ To Myself” and “Death Represents My Hood” are still good tracks.

I have to say that this was a good soundtrack to an underrated horror film that I have seen. You have some straight-up hip-hop tracks, a couple of songs that talked about life in the hood, then you also have gangsta tracks and also horrorcore tracks. I mean it’s good that there was some variety on this soundtrack. Overall, I give it a 4/5.

Top 5 Tracks:

  1. Born II Die
  2. The Grave
  3. Let Me At Them
  4. Hot Ones Echo Through The Ghetto
  5. Death Represents My Hood
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Rap Movie Reviews

Rap Movie Review – Snoop Dogg’s Hood of Horror

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Year of Release: 2006

Film Studio: Xenon Pictures/Social Capital Films/Bloodworks/Snoopadelic Films

Another Snoop Dogg horror film review? Huh? I know, it’s kind of odd considering I was unsure if I would even do this, but I managed to find a way to watch it and figured why not. What separates this film from “Bones” is that this was not a wide release as according to IMDB this film had a rather limited release before coming out on DVD. Another that separates this from “Bones” is that “Hood of Horror” is an anthology film that has three different stories told, a la “Tales From The Crypt” and “Creepshow.”

However, what I will also say is that when it comes to horror movies with Bigg Snoop Dogg, I actually prefer “Bones” in this case. Why? I will get to that. But in the meantime, I am going to give a synopsis about each of the stories that were told.

The first story was about this girl named Posie, played Daniella Alonso, who has a problem with three gangbangers and they have a problem with her too for having tagged on their turf. At some point Posie meets a derelict, played by Danny Trejo, who gives her a tattoo on her arm, which also indicates that she was given a power to be able to eliminate people. It’s like that saying, with great power comes responsibility.

The second story was about this racist couple inheriting a home from the father of the husband. In their inheritance, they have to live in the home with four African-American Vietnam vets, whom also served with the late father of the new landlord. The couple, however, don’t respect the vets and use them as slaves and also harass them in the process, which infuriates the group greatly.

The third and final story is about a rapper who gets famous and is then confronted by a mysterious woman who shows him about his rise to fame and what happened to his friend and how some things are more important than fame.

Now I am about to break down about what I thought regarding these stories. The first thing that I will say that is all stories ranked from worst to best in the order they were shown.

The moment the first story started, the thing that irritated me the most was the acting. As great as Daniella Alonso is to look at in this film, her acting was just unbearable, as was the acting from some of the other actors, especially Noel Gugliemi. Regarding Gugliemi, I am aware that he is typecast as a gang member in a lot of movies, and I have read that he has been down that road before, so I can’t complain about him. Alonso, however, hammed it up in the scenes she was in. I haven’t seen her in a lot of other things, so I can’t comment on her acting as a whole but she just did not do well in this film. As for Danny Trejo, well I am used to seeing him play Danny Trejo, even though he came off as menacing in his role. The story also did not make sense in the end and I thought the ending didn’t convey the message that it tried to tell.

The second story was a mixed bag for me. The villains, played by former “Baywatch” babe Brande Roderick and Anson Mount, who I mostly remember seeing in that Britney Spears star vehicle, “Crossroads,” did not really give me much reason to hate them. Yes, they were total jerks in the movie but they didn’t really make me hate them enough to want to see them get theirs. Ernie Hudson, who played one of the vets in this story, actually saved it for me. I can never complain about seeing him on my screen as I have always respected him as an actor and I like some roles of his, like in “The Substitute” and “Ghostbusters.” However, I cannot say anything about the writing. While the story was predictable, I have to hand it to the writers for coming up with something a bit original towards the end of it. It was a lot better than the first story, but at the same time it suffered from predictability and hammy acting.

Now the movie kicked it into a higher gear with the third and final story. I have to say that this one was the most interesting of the bunch as I will admit that I felt a slight chill in my spine when I watched it. Aries Spears of MADtv fame appeared in this story as Quon, the best friend of the rapper Sod, played by Pooch Hall. While Hall was the main character of this story, Spears was the secondary main character of this one. I am mostly used to seeing him do comedic roles. That isn’t to say that he wasn’t funny in this, he was but in a really creepy way. I also didn’t mind the performance from former professional wrestler, Diamond Dallas Page. However, there wasn’t really much story to be told considering how short it was and we didn’t really see how Sod rose to the top of the rap world. At first we see when he was a nobody and then a year later we see him at the top of his game. If it were made into a full-length movie, it would have been better.

Now where did Snoop fit into all of this? Well he was the narrator of the film and played what appeared to be the devil in the story. He would appear in between stories talking about what happened and then would talk about the next story. He basically like he always does, and it is not that different than his performance in “Bones.” I will say that when he had two gorgeous woman by his side, it somehow reminded me of the video to Coolio’s “Too Hot.” If you’ve seen that video, you will know which part I am talking about. Also, he has a few on the soundtrack, one of which was played in the credits. I also must add that there were animated sequences that happened in between. The animation reminded me of “The Boondocks” and “Afro Samurai,” which was among the very few positive qualities about this film.

Now why do I prefer “Bones” to this movie? Here’s why: I actually got a little more scares from that one than I did this and it had a better story. The only story from this movie that I actually would give a pass to is the third one and even there was not a lot of time to develop it. The second story didn’t have enough to keep me into it with the exception of Ernie Hudson. The first story was just bad. When it comes to horror anthology movies, I very much prefer “Tales From The Hood,” which is an underrated movie in my personal opinion. This movie just failed on some levels for me. Despite a few somewhat positive qualities, I think that this movie failed on multiple levels.

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Uncategorized

Review: Method & Red Episode 1 – Pilot

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Original Air Date: June 16, 2004

As I had stated on my preview piece on this show, which was also a bit of an editorial, I had planned on reviewing episodes of this sitcom. I was lucky to see that I was able to find some episodes online because no DVD exists for this. I don’t need to get into anything about the show because I had already covered that in my preview story. Let’s just get to the episode now.

So the episode starts off with Nancy, the realtor and antagonist of the show, showing a family about a house she is trying to sell. The family is all ready and willing to buy the house, until a lot of cars pull up to a house in the neighborhood for a party, and who would happen to host that party? Why Method Man and Redman, of course! It was enough to drive the family away and Nancy out of a sale.

The whole plot of the episode is that Nancy wants them evicted, and when Method Man and Redman catch wind of that, they want to be accepted in the neighborhood by catering to fellow neighbors. Some of the things that I had noticed is that it plays the cliche stereotype that because they live in a predominantly white neighborhood, they intimidate the neighbors despite them trying to get on their good graces. However, they do reach out to a few who are willing to give them a chance. Redman meets a rather odd individual who needed help with “getting his dad out of the bathtub,” while Meth reaches out to Bill and Skyler, Nancy’s husband and son, respectively. Unlike Nancy, Bill and Skyler take to Meth a lot better and are a lot more accepting of he and Redman living in the neighborhood, especially with Skyler being a fan of the two rappers.

Although I pointed out how the laugh track was an awkward to the show, I have noticed how goofy this show was in hindsight. I mean it’s no different than their movie, “How High,” in terms of tone, although it is less vulgar than that movie. I chuckled here and there with the over-the-top elements of how rich people live, with a TV monitor in various parts of the house like in a refrigerator and in a kitchen drawer.

However, some of the stereotypical humor was a bit much, like how some white people initially thought that Method Man was going to assault them when he wanted to deliver a fruitcake in order to reach out to them. I am not sure if it was a jab at class issues or racial issues, because in one scene Meth tried reaching out to black people in the neighborhood. Aside from that, I just thought it could be much worse.

Looking back on this episode, it really wasn’t terrible. Some parts got a chuckle out of me and I have seen more unfunny stuff than this. Was it good? No, but it certainly was not bad, either.

Stay tuned for my piece on episode 2, which I will do soon.

Preview and editorial: Method and Red TV series

Review: Method & Red Episode 2 – The Article

Review: Method & Red Episode 3 – Well Well Well

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