Rap Movie Reviews

Rap Movie Review – State Property

Year of Release: 2002

Film Studio: Lionsgate Films

*Sigh*  I know that I haven’t keeping up with this lately. On one hand, I have been contemplating writing about the rest of my Fast & Furious soundtracks. Another part of me wants to write about Death Row albums, particularly post-Tupac death and also when Dre and Snoop departed the label (Probably because I have been on a Death Row kick lately, especially having written the Death Row Records documentary). Then I have remembered that I also wanted to review the State Property films.

I know that there are plenty of rap movies out there to talk about. The State Property films fall into the same category as when I wrote about Thicker Than Water and Hot Boyz. For all the shit that I had talked about with those two, I think I have found a film that kind of blows them out of the water in terms of badness. I am sure that in some areas I still get a little nostalgic for Thicker Than Water and while I have spoken ill about Hot Boyz (Note to self: Watch other No Limit films), I think I may have found a film that I can put above it in terms of some of the worst rap movies that I have seen.

State Property is basically a movie that stars Beanie Sigel as a character named Beans who is trying to make a name for himself in the crime world. He wants to be feared and known by everyone and has a bunch of guys working for him. Of course, there are a bunch of gangster movie cliches of “one guy messing up and getting killed for it” or “someone pissed off the wrong guy, so he has to get tortured.” Not to mention drug deals gone wrong and women getting kidnapped, as well as random shootouts taking place. You get the picture.

Usually with these types of films, I don’t expect great acting from them. Also, the story has every cliche there is. It’s no secret that this film sucks. Although I will admit that there were moments when I laughed AT certain parts. But when these rappers on screen are only good at playing certain personas, that just showed how they needed to take acting lessons prior to it. It didn’t help that there was not a single likeable character in this film. Though Beans was the protagonist, there was nothing about to make me want to root for him.

It also was of no help how this film was loaded with misogyny. Now, don’t get me wrong, I like looking at scantily-clad women just as much as the next guy, but there was no purpose in some of the scenes with closeups of a woman’s body. Also, a minor spoiler, but in one scene when a deal took place, the camera turned and closed in on a couple of women sharing a rather gratuitous kiss. There was absolutely no reason for that part to even be in the movie other than fanservice.

While the poster said had Jay-Z billed, he was only in it for about five seconds max. The other Roc-A-Fella guys had bigger roles than Jigga himself. Damon Dash had a bigger role than Jay-Z, for crying out loud. Hell, I didn’t even expect to see Amil (Remember her? As in the woman in “Can I Get A…”?) in the film. It seemed like this was a film project for Roc-A-Fella.

I really don’t know what else to say about this film except that this was a bad film, though I think you may have already gotten the picture after reading all of this. I will admit that I remember flipping through channels and coming across it on HBO a long time ago and seeing how bad the acting was from the two minutes I saw of it. However, only one positive I can say about it was that it had a good soundtrack, which I may write about in the future.

Of course, I am aware of the sequel, which I will do next.

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Rap Movie Reviews

Rap Movie Review – The Wash

Year of Release: 2001

Film Studio: Lionsgate Films/Lithium Entertainment Group

When I first thought about reviewing “rap movies,” as I like to call them, I had initially thought about mostly doing reviews on these low-budget, straight-to-video releases that had a good amount of rappers in the cast, or at least ones that have a few in starring roles. A couple of examples that I did were Thicker Than Water and Hot Boyz, one movie that I fell out of love with yet still get a bit nostalgic over. The other being a film that I would rather use as a torture technique to punish someone who wronged me. However, I had also thought about the films that starred rappers that still managed to make it to theaters. Of course I had done a couple already that were given theatrical releases, Bones and Half Past Dead.

What is funny about all of this is that there are a lot of movies that have rappers in them, yet I am unsure on which ones to do and what not to do. Of course, at the moment I have a few in mind that I want to do, at least for the time being. One of those films is 2001’s The Wash.

This film was basically a starring vehicle for Dr. Dre and Snoop Dogg. These two have a lot of chemistry when it comes to music. Hell, those two had collaborated a lot dating back to their days with Death Row. But the question is do they also have that kind of chemistry on screen? Well, that is REALLY good question.

Both men in their roles feel like they are playing themselves. Also, Dre’s character, Sean, is basically the straight man to Snoop’s Dee Loc, who is the wisecracker. In some ways it feels like when Ice Cube played Craig to Chris Tucker’s Smokey in the first Friday film. However, those two had amazing chemistry in that film. In this film, that comedic chemistry is lost on Dre and Snoop, despite having worked well together in music.

I have to also note that Dre and Snoop also have production credits in this film, among a few other people. Which I am like “Huh?” I can only imagine that only so many people can help the production of this film. But where the main thing lies is in the writer/director, DJ Pooh (For those who don’t know, his name is actually Mark Jordan). Of course, this film is not DJ Pooh’s first film credit. He had done some of the writing in Friday (And also played a character in that film) and also had written and directed 3 Strikes, a film that I also must revisit. Not to mention he also had a role in this film (More on this later).

Regarding the film’s story and writing is another part that shows how flawed this film is. In a nutshell this movie is about how Sean got fired from a job and ends up getting a job at, well, The Wash, which is the name of a car wash that has the employees washing cars for customers. So it isn’t one of those car washes where people can drive into and the car gets clean by the machinery. Nor is it a car wash where people can do it on their own with the use of hoses and brushes. It seems like a then-modern-day spin on the 1976 cult classic, Car Wash, but with more of a hip-hop/gangsta twist and no Rose Royce soundtrack to back it but rather rap tracks from Snoop and Dre, along with other hip-hop and R&B artists from Snoop’s label and Dre’s label. However, it seemed to have told three different stories in one film (along with a few subplots), which was one of the film’s problems. It even noted the different plot points on the back of the DVD case.

In the film, part of the plot had Sean, Dre’s character, becoming assistant manager to Mr. Washington (George Wallace), who was also called “Mr. Wash” as a nickname. Being that Sean tried to be an honest and responsible employee, he had gotten on the case of Dee Loc, Snoop’s character, for dealing and smoking weed while on the job and slacking. Of course, this rubbed Dee Loc the wrong way enough that it set up some conflict between the two. I must add that those two started off as friends at the beginning of the film who were also roommates. But then later on another subplot takes over the story which showed how flawed the writing was. The other plot of the film involved a kidnapping by Slim, played by DJ Pooh, who was the film’s antagonist, but he didn’t even show up until much later into the film. It was almost the storyline involving him was shoehorned in.

There were some subplots that seemed rather confusing and some that just finished at the snap of a finger. One example for the latter is a romantic subplot involving Sean and a female customer who he hit on at the car wash under the guise of an insurance salesman, when he happened to have stolen a customer’s jacket to hide that he worked at the car wash. Then of course that subplot was dropped not too long after it was revealed that he lied to her. That subplot was not needed at all and it would not have made a difference if it were out of the movie completely. On the plus side, she was never seen again, so there was no predictable part with her coming back and trying to give their whole thing another chance. As for another subplot, I totally wondered what the deal was with Eminem’s role in the film. He played a character who was fired from the car wash, but all he did was just call Mr. Wash and just threaten him. This was before 8 Mile, by the way, and it seemed like he was doing his Slim Shady persona when doing this film. Although I will say that he got some laughs out of me during his appearances.

One thing that annoyed me is that there was a lot of heavy plugging for the film’s soundtrack and also actually saying that the artists who did some songs were from Dre and Snoop themselves, the film’s lead actors. Okay, I get that they played characters, but it just seems odd how even the actors who played the characters exist in this universe as rappers. I don’t recall the Friday movies making reference to Ice Cube albums or ads with Craig present. In one scene, Tray Deee, one of Tha Eastsidaz and also one of Snoop’s boys from the DPG, was even referred to by his stage name and was acting as a character in this film. So he was basically playing himself and hanging out with a few moronic gangbangers? I didn’t understand it either.

Another thing about the soundtrack, and this is a minor spoiler here, is that in the credits, the video of “Bad Intentions” from Dre and Knoc-Turn’al was shown. It was an uncensored version, by the way, and the actual censored version was an extra on the DVD.

There were also some cameos by Ludacris, Pauly Shore, Shaquille O’Neal, and Xzibit. Also, one of the female characters was played by Truth Hurts, a singer who was on Dre’s label, Aftermath, at the time, but was credited by her real name, Shari Watson. One small note, but there was an appearance by Shawn “Solo” Fonteno, who is best known for playing Franklin Clinton in Grand Theft Auto V. He played Slim’s right-hand man. I also must add that DJ Pooh was the DJ for the West Coast Classics station in GTA V as well. This movie came out 12 years before that game did, but I just thought I’d mention that.

Anyway, this is not a good film, but I don’t hate it. I remember people had told me that it was not good when it came out, especially because I wanted to see it in theaters. According to some sources, it didn’t do well. It was shot on a $7 million budget but only made $10 million in the box office. I wonder if that was domestically. The first time I watched it was when I rented it when it came out on DVD. I had bought the DVD for this film much later and I had recently found it after having lost it. This film is more or less a time-waster or a movie that you can have on as background noise while doing other tasks. It is not a bad way to spend a boring Saturday or Sunday or any other day-off for that matter when you have nothing to do. You can do better but you can do a lot worse, too. I think it is mostly “meh,” if bad in some areas, but then again, a much funnier movie came out a month after this that starred rappers, which I will cover soon.

NEXT UP: HOW HIGH.

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Rap Movie Reviews

Rap Movie Review – Half Past Dead

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Year of Release: 2002

Film Studio: Sony Pictures/Screen Gems/Franchise Pictures

I have not really been keeping up with this lately, but because I have plans to write about the Murder Inc compilations in February, I figured that this would be a good place to start. It is not just because Ja Rule is in this film, and also Kurupt, but also because there is a good amount of songs from The Inc on the soundtrack, and also other stuff from non-Murder Inc performers.

I will add that I have also been on a Steven Seagal kick lately, probably thanks to a YouTuber who I follow named Ramboraph4life as not too long ago he had done a Seagal marathon where he reviewed and ranted on films that he starred in. I still have Exit Wounds to do, and I will cover that one in the near future along with its soundtrack, but that will be for my Andrzej Bartowiak’s martial arts hip-hop trilogy marathon which also consists of Romeo Must Die and Cradle 2 The Grave, along with the soundtracks to those films.

Anyway, I am here to talk about Half Past Dead, the last movie that Steven Seagal starred in that was given a theatrical release, which also has Ja Rule in a starring role. This movie came out nearly two years after Exit Wounds, which was a surprise hit and that was also another movie that Seagal had done with a rapper, who was DMX. For many years I had heard that this film was the last straw for Steven Seagal as a leading man in theatrical movies because afterwards he had starred in a slew of direct-to-video films. I think another reason was that this film was a critical and box office flop. A lot of people disliked the film and it did not make a lot of money. Of course, I decided to see it for myself.

Some of my synopsis may contain spoilers.

The film’s story in a nutshell is about this undercover FBI who is infiltrating a prison because a criminal plotted to interrogate a prisoner about stolen gold and where to find it. The film’s title has to do with how Seagal’s character was declared dead at the beginning of the film, only to be revived. Seagal played Sasha, the FBI agent who was undercover in a criminal operation with his friend, Nicholas, played Ja Rule. Of course, Ja’s character did not know that he was undercover at first. The opening sequence was more of a prologue as Sasha was shot and the main plot takes place eight months after those events. The villain, who is called 49er One (don’t ask), played by Morris Chestnut, leads a team of criminals, also codenamed 49ers with a number after that. For example, the second-in-command, played by Nia Peeples, is named 49er Six. My only guess is because the film took place on Alcatraz and being that they are after gold, it is rather clear as to why they are named that. In some ways this feels like The Rock, with Sean Connery, Nicolas Cage and Ed Harris, but with elements from The Matrix thrown in.

In regards to whether this film was bad is entirely subjective, but I personally didn’t mind it. Would I call it good? No, but there was some fun to be had. The thing that really got me were the acting from parts of the cast. I can’t really say much about Seagal’s acting considering how he has admitted that he is not much of an actor and how in a lot of movies he basically plays the same type of character, or is he playing himself? I can never tell. Ja didn’t do a bad job in his role but I have not seen enough roles of his to really say if he is playing himself. I know he was in a movie with Pras (From The Fugees) called Turn It Up, but I have never seen it. He was only in The Fast and The Furious for a few minutes and the only other film that I have seen with him was The Cookout, but that was a long time ago and I mostly remember that being a cheesy comedy. As for Morris Chestnut, his performance as the villain felt like he went through the motions. I couldn’t buy him as a bad guy. I felt that he was more convincing as a criminal-type in the movie Confidence, which came out sometime after this one. He didn’t really convince as a bad guy in this film and he is usually such a good actor. Nia Peeples didn’t have much to work with except be the femme fatale who wore tight leather and did martial arts. Also she reminded me too much of Trinity from The Matrix in this. She even wore a trenchcoat in some fight scenes.

As for others, Kurupt basically played the comic relief in this film. He was actually pretty funny in some scenes, one of which included comedienne, Mo’Nique. I can’t say he acted much before this except for one small scene in The Wash, but that was it.

As for action scenes, this movie was chock full of explosions and pyrotechnics that I think it would make Michael Bay blush. The film was already over-the-top, but it just felt like firework show in some sequences. There was a lot of ridiculousness in some other sequences like one that had Seagal and Ja driving a car and Ja totally flew out of a car or when Kurupt fired a rocket launcher and was sent flying. Those scenes got a laugh out of me for the absurdity in both scenes. Not to mention when a gun got caught in an elevator door and Seagal flipped it over to have it point at the bad guys. Also, I could not help but laugh during the climax when two guys jump from a balcony and start firing their guns. I mean, come on, how could the bullets not hit the other guy who jumped as well?

Of course, I can’t complain about the fight scenes, even though some involved doubles for some people. Although Peeples’ character was a total knock-off of Trinity, she impressed me a bit in her fight scenes. I can’t say that I am surprised because she had done a lot of fight scenes when she was in Walker, Texas Ranger.

Acting and action scenes aside, the complaint I had for the most part were some songs from the soundtrack. I wonder if this movie was edited and initially supposed to be rated R. This was PG-13, and I believe it is Steven Seagal’s only PG-13 film. The reason for my complaint is that a lot of the songs were edited. This film came out around the same time as the compilation, “Irv Gotti Presents The Inc” and a number of songs from that compilation appeared on the soundtrack. The film started with “Gangstafied” from a few Murder Inc artists (Including Ja) and it was distracting to hear parts of the lyrics censored. The same can be said about the use of “I’ma Bang” from DMX. It was just weird to hear it censored when it said “Do My Motherfucking Thing.” If the movie was rated R, the lyrics would all be intact.

I also must add that the song in the credits, “The Pledge (Remix)” contained clips from this film in the music video for it.

End spoilers.

Half Past Dead is more flash than substance, however, the film is still fun to watch for some reason. I don’t think this is a good film, but it is entertaining in some areas. I found myself laughing with and at some scenes, especially at a little Sony product placement with an inmate playing PS2 in a cell. The film also didn’t take itself seriously which was one reason that I had fun with it. I also must add that there is a direct-to-video sequel that stars Bill Goldberg and from what I understand, Kurupt reprised his role in that film. I might watch that and review it one day because judging from the DVD artwork it appears that Kurupt has a bigger role in that one than in this one. I am also curious about Bill Goldberg’s performance being that I am mostly used to seeing him in his wrestling persona. I’ll check it out one day.

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Rap Movie Reviews

Rap Movie Review – Snoop Dogg’s Hood of Horror

hood-of-horror

Year of Release: 2006

Film Studio: Xenon Pictures/Social Capital Films/Bloodworks/Snoopadelic Films

Another Snoop Dogg horror film review? Huh? I know, it’s kind of odd considering I was unsure if I would even do this, but I managed to find a way to watch it and figured why not. What separates this film from “Bones” is that this was not a wide release as according to IMDB this film had a rather limited release before coming out on DVD. Another that separates this from “Bones” is that “Hood of Horror” is an anthology film that has three different stories told, a la “Tales From The Crypt” and “Creepshow.”

However, what I will also say is that when it comes to horror movies with Bigg Snoop Dogg, I actually prefer “Bones” in this case. Why? I will get to that. But in the meantime, I am going to give a synopsis about each of the stories that were told.

The first story was about this girl named Posie, played Daniella Alonso, who has a problem with three gangbangers and they have a problem with her too for having tagged on their turf. At some point Posie meets a derelict, played by Danny Trejo, who gives her a tattoo on her arm, which also indicates that she was given a power to be able to eliminate people. It’s like that saying, with great power comes responsibility.

The second story was about this racist couple inheriting a home from the father of the husband. In their inheritance, they have to live in the home with four African-American Vietnam vets, whom also served with the late father of the new landlord. The couple, however, don’t respect the vets and use them as slaves and also harass them in the process, which infuriates the group greatly.

The third and final story is about a rapper who gets famous and is then confronted by a mysterious woman who shows him about his rise to fame and what happened to his friend and how some things are more important than fame.

Now I am about to break down about what I thought regarding these stories. The first thing that I will say that is all stories ranked from worst to best in the order they were shown.

The moment the first story started, the thing that irritated me the most was the acting. As great as Daniella Alonso is to look at in this film, her acting was just unbearable, as was the acting from some of the other actors, especially Noel Gugliemi. Regarding Gugliemi, I am aware that he is typecast as a gang member in a lot of movies, and I have read that he has been down that road before, so I can’t complain about him. Alonso, however, hammed it up in the scenes she was in. I haven’t seen her in a lot of other things, so I can’t comment on her acting as a whole but she just did not do well in this film. As for Danny Trejo, well I am used to seeing him play Danny Trejo, even though he came off as menacing in his role. The story also did not make sense in the end and I thought the ending didn’t convey the message that it tried to tell.

The second story was a mixed bag for me. The villains, played by former “Baywatch” babe Brande Roderick and Anson Mount, who I mostly remember seeing in that Britney Spears star vehicle, “Crossroads,” did not really give me much reason to hate them. Yes, they were total jerks in the movie but they didn’t really make me hate them enough to want to see them get theirs. Ernie Hudson, who played one of the vets in this story, actually saved it for me. I can never complain about seeing him on my screen as I have always respected him as an actor and I like some roles of his, like in “The Substitute” and “Ghostbusters.” However, I cannot say anything about the writing. While the story was predictable, I have to hand it to the writers for coming up with something a bit original towards the end of it. It was a lot better than the first story, but at the same time it suffered from predictability and hammy acting.

Now the movie kicked it into a higher gear with the third and final story. I have to say that this one was the most interesting of the bunch as I will admit that I felt a slight chill in my spine when I watched it. Aries Spears of MADtv fame appeared in this story as Quon, the best friend of the rapper Sod, played by Pooch Hall. While Hall was the main character of this story, Spears was the secondary main character of this one. I am mostly used to seeing him do comedic roles. That isn’t to say that he wasn’t funny in this, he was but in a really creepy way. I also didn’t mind the performance from former professional wrestler, Diamond Dallas Page. However, there wasn’t really much story to be told considering how short it was and we didn’t really see how Sod rose to the top of the rap world. At first we see when he was a nobody and then a year later we see him at the top of his game. If it were made into a full-length movie, it would have been better.

Now where did Snoop fit into all of this? Well he was the narrator of the film and played what appeared to be the devil in the story. He would appear in between stories talking about what happened and then would talk about the next story. He basically like he always does, and it is not that different than his performance in “Bones.” I will say that when he had two gorgeous woman by his side, it somehow reminded me of the video to Coolio’s “Too Hot.” If you’ve seen that video, you will know which part I am talking about. Also, he has a few on the soundtrack, one of which was played in the credits. I also must add that there were animated sequences that happened in between. The animation reminded me of “The Boondocks” and “Afro Samurai,” which was among the very few positive qualities about this film.

Now why do I prefer “Bones” to this movie? Here’s why: I actually got a little more scares from that one than I did this and it had a better story. The only story from this movie that I actually would give a pass to is the third one and even there was not a lot of time to develop it. The second story didn’t have enough to keep me into it with the exception of Ernie Hudson. The first story was just bad. When it comes to horror anthology movies, I very much prefer “Tales From The Hood,” which is an underrated movie in my personal opinion. This movie just failed on some levels for me. Despite a few somewhat positive qualities, I think that this movie failed on multiple levels.

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Rap Movie Reviews

Rap Movie Review – Bones

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Year of Release: 2001

Production Company: New Line Cinema

As part of my October special, I was conflicted on what to start with. For a while I wanted to review some soundtrack albums to horror films and also some horrorcore rap albums. However, I decided to kick this off with a review of a horror film that came out many years ago and happened to have starred a rapper.

Horror movies come in different shapes and sizes. In fact, a lot of movie genres do. When it comes to horror movies, you have your tales of the supernatural, you have your slasher movies, you have your vampire movies, you have your stories related to the undead. I could go on. The genre itself has quite a following. I am not usually a fan of such films, but I will watch them and I do find myself enjoying them at times.

I will say that I am a movie buff and while this blog is not geared towards movies in general, “Bones” is a movie that I wanted to touch on because it starred Snoop Dogg. In fact, this came out the same year as two other movies in which he had played a big role in, which were “Baby Boy” and “The Wash.” Come to think of it, “Bones” came out in between those two other films and the difference between this one and the other two is the Snoop had top billing in “Bones.” I must add that I know that he had appeared in “Training Day,” which also came out that same year but he was only in one scene, so that doesn’t exactly count (Or does it?). I am not sure if this movie was made with Snoop in mind as the titular character, but with him being a big-named rapper, maybe it was meant to be star vehicle for him.

The plot of the film goes like this: In 1979, Jimmy Bones (Snoop), a well-respected gangster and philanthropist for his neighborhood, was murdered in his home. However, more than two decades later, some people decide to buy his house to make a dance club out of it. What the people don’t realize is that the place is haunted with Bones’s spirit and a lot of people from that neighborhood tell them to avoid going into that place. Of course the people don’t and still go ahead with the development of their club. All of a sudden, Patrick (Khalil Kain), one of the DJ’s who is involved in the development, meets Cynthia (Bianca Lawson), the daughter of Pearl (Pam Grier), who was Bones’s lover when he was alive. Pearl advocates everyone to stay away from the building. One other thing is that Patrick is the son of Jeremiah (Clifton Powell), who was Bones’s friend and right-hand man. So things are connected for the most part.

According to some sources, this movie was shot on a $16 million budget, but it made only half of the money at the box office. I am not sure if that was only for the United States or if it was the worldwide gross, but it is safe to say that this movie was a bomb when it came out. I didn’t first watch this in theaters, by the way. I watched it on cable and for what it was, it was an okay time-waster. It’s funny to see some of the effects that were done for blood. Rather than use blood squibs, a lot of the blood looked like watered-down paint. Well, at least they tried to keep it practical as opposed to using CGI-blood. Now that I think about it, I don’t recall seeing too many fake effects that were used. It seemed like a lot of effects were physical. For example, the wall of the spirits of the dead seemed rather physical to me. So I can’t complain too much about the effects, even with the use of maggots towards the end, no matter how disgusting that was.

However, I see a lot of problems with the writing and acting. First, I will talk more about the writing. Now I am not so sure what the writers were trying to go for. I read how a lot of scenes were lifted, paid homage if you will, to past horror films. A friend of mine told me that the maggots bit at the club landing on the food was done in “The Lost Boys” during a dinner scene with people eating rice. It’s been a while since I have seen that film, so I might have to see that for myself. Well, I don’t have a problem with lifting elements from other films. But I might have to talk about some other problems with the story.

There will be a few spoilers right here, so read at your own risk.

While it was said that Jimmy Bones was a gangster who was well-respected and gives back to the community, I don’t necessarily see what kind of activity he was involved in as he was against pushing drugs. It didn’t exactly say what he did, just that he was loaded and was against drugs. Also, he was murdered by bent cop Lupovich (Michael T. Weiss), who also played a big role in the story, along with Eddie Mack (Ricky Harris), as well as Jeremiah. So Bones wants revenge on those who had wronged him. I get that, but why go after the people who had nothing to do with his death as well? I will get to that, but it almost seemed like we were supposed to root for him at that point in the film, like he was the good guy. It was almost confusing whether he was the villain or hero during that point of the film. I must point out that Patrick and his crew, along with Cynthia decided to sleep over at the house to test out the place. One of the creepiest scenes in the movie involved Cynthia sleeping and during this sequence, she gets molested by the ghost of Jimmy Bones and alongside that sequence, she has a dream of her getting covered in blood. I know that it was shown to be the spirit of Jimmy Bones haunting those who disturb him and in what used to be his house. However, what I find disturbing is that later on Cynthia was revealed to be Jimmy’s daughter with Pearl. *GASP* Okay, I understand that Jimmy and Pearl were a couple very much in love and she had conceived her right before Jimmy was killed, but that was revealed a bit later in the film, sometimes AFTER the spirit harassed Cynthia in her sleep. Also, I still don’t understand the ending of the film that Cynthia possessed by Bones’s spirit and maggots came out of her mouth. I wonder if there was a plan for a sequel back then.

Also, he went after Patrick and the crew because they weren’t wanted in his house and bought his property, so I guess he went after them because of it.

End spoilers.

As for the acting, well it seemed like the more believable performances were done by Harris, Grier and Powell. Ricky Harris did well playing an aging pimp and drug pusher. Grier also had a good performance in her role, whether it was as a concerned mother and also girlfriend to Bones. Also, I can never complain when I see Clifton Powell on screen, even in duds like “Hot Boyz.” Snoop, on the other hand, just seemed to be playing himself in the movie, or at least his hip-hop persona as how it was done at that point. He was not playing a gangbanger type but rather a well-suited gangster. He was a little intimidating when he was in the form of the ghost. Plus, I liked the makeup that was used on him towards the end that made him look more evil and scarier. Now what about the other characters? Bianca Lawson had little emotion in some scenes that she was in. The only time I saw her express anything in her role was during the scene when she was sleeping. Khalil Kain did alright in his role. So I can’t complain about the acting too much, except maybe from Snoop.

One thing I will point out is that I noticed something funny about the wigs and hair in some scenes. In some scenes when Bones was in his dark spirit form, I can tell Snoop wore a wig because of the length and it looked a bit fake. His hair was a bit shorter during that time and it was about the right length during the flashback scenes and when Bones was with Pearl towards the end. I also noticed that it seemed like certain scenes were filmed at certain times because Pam Grier’s hairstyle was an afro during the flashbacks and towards the end when she wore the dress while dancing with Snoop. Whereas when she saw her reflection, it was the present day version with the dreads. At least they kept with how she was supposed to look.

Eh, I will say that despite a lot of the movie’s problems, I can think of other movies that might be worse than this one. Looking back I am surprised at how this movie was even in theaters. Was it because the producers thought that Snoop Dogg would draw crowds? Nobody knows. Other than that, it was a bit fun, okay if you will. Good? Far from the case, but like I said, I have seen worse.

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Rap Movie Reviews

Rap Movie Review: Hot Boyz

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Year of Release: 2000

Film Studio: Artisan Entertainment/PM Entertainment/No Limit Films

So it has come to this. I decided to do a review on not just one of the worst movies that I have seen that starred rappers, but also one of the worst movies that I have seen in general. I made a mention of this movie in my review of Thicker Than Water in that I have seen worse movies than that film. Make no mistake about this, but despite what I wrote about that film, it’s still more watchable than this worthless piece of shit that I am about to write about right now. In the future I plan to do more of the movies that No Limit had put out, like I Got The Hook-Up, I’m Bout It, Foolish, maybe even that short film, MP Da Last Don. In the meantime, I will talk about Hot Boyz, a film that Master P not only wrote but also directed, which starred his brother, Silkk The Shocker, as the lead character.

Why I chose to write about this movie I don’t know. Maybe it’s because I wanted to talk about it before other rap movies that I want to do. However, I remember catching this on UPN when I was a lot younger and watching a good amount of it. I remember enjoying it back then, but this isn’t like Thicker Than Water when I had that as one of my favorite movies during that time. In some ways I get a little nostalgic over that, even though that still has a lot of problems and I fell out of love with that movie. This movie, on the other hand, I have no nostalgia over it except just watching it on network TV one time. I caught it on BET every now and then, and then one day I bought a 4-pack of DVD’s that included this movie, along with Foolish, Phat Beach and Caught Up. Not that the other three were good movies at all, but with this set being sold at $5, I just went ahead and purchased it. Boy, do I regret that now, and even though movies like Caught Up and Phat Beach are shitty themselves, they are more watchable than this and that isn’t saying a lot (I would give Foolish a slight pass for Eddie Griffin’s stand-up scenes). I no longer have that set as I will also note that having sat through Caught Up, I said “fuck this shit” and sold it. However, being that I wanted to write about Hot Boyz, I had to find some way to watch it because there was no way I was going to pay to watch it and I was not about to wait for Netflix to put it back on there, nor was I going to wait for it to come back to Starz or Showtime On Demand. Lucky for me, I found that it was online on Vimeo. The sad part about this was that I told myself that I have to watch it again in order to remember a lot of stuff.

The first thing I will address is that Silkk The Shocker should never be allowed to act ever. I know he also appeared in that movie called Corrupt with Ice-T before this and I heard that movie is way worse than this, but I can’t imagine how bad it could be compared to this abomination. Also, Master P should never be allowed to write a script or direct a film either.

Without further ado, I am now going to talk about the film. By the way, there will be spoilers in this review, that way you won’t have to watch this.

The film starts off with a car chase with police cars rushing the spot of a deal gone wrong and then suddenly a sports car just starts racing off, with the driver, Kool (Silkk), hoping to evade the authorities. The thing that got me about this scene was not just that it went up to five minutes but also the editing. It seemed that there were different angle shots of where the cars were going as you had one shot of it from the right, then from the front, then from the left, you get the idea. It takes a long time for this sequence to end as you have no idea what is going on until it drives right off a dock and right at the freeze-frame, Kool starts narrating about what he got himself into. So we cut to a sequence at a barbecue, with Kool hanging out at a table with his crew that included the likes of Snoop Dogg, C-Murder, Mystikal, and also AJ Johnson, who basically played the crew’s butt monkey that everyone liked to crack jokes on. Kool starts spitting a rap while hanging out because he is an aspiring rapper. He also has a devoted girlfriend named LaShawna, who is heading off to college and has a mother who obviously disapproves of her daughter’s relationship with Kool. It’s a cliche, but it gets even worse  (I’ll get to that). Because this was supposed to be a neighborhood barbecue, we see a couple of characters interact with one another whom we don’t know at first. One is a cop and the other is a gangster who just happened to be in the neighborhood. Why this scene was in there I don’t know. This is only the beginning of some sequences like this. There could have been a proper introduction to the cop. Although the gangster, Saint (Clifton Powell), does play a role in the story later on, and the cop, however, appears a few other times.

So we get some scenes that show Kool and LaShawna’s love for one another, and then all of a sudden we see another sequence with a couple of guys who weren’t seen in the film before talking about a drug deal with an undercover cop. These two guys seem like they are involved in organized crime. One guy is white, the other is black. But like the previous scene with the gangster and the cop, this is another introduction to a character who will play more of a role and it happens not too long after because it’s a crucial point to the plot. You see, after LaShawna leaves Kool’s place to go home, she stumbles upon the drug deal with the UC getting stabbed. So she goes right up to the dying cop to help him, and then we see the white guy from earlier looking on. It turns out he is a dirty cop, so he made a deal with the drug dealer. The dirty cop looks on in the distance and then suddenly cops pull up. They were called in pretty fast, huh? And what does LaShawna do? She decides to run from the cops, all the way home, in fact. The stupid thing about all of this is that the cops who chased her down were quick to arrest her and charge her with murder one, and then she gets imprisoned so quickly. It also did not help that she didn’t follow procedure when the cops initially told her to put her hands to the wall. I don’t know how the justice system works usually, but it certainly doesn’t move that fast for her to get charged within an arrest and get put in jail within an hour. It’s bad that she ran, but the cops did not bother to question her. Also, the dirty cop starts stalking LaShawna.

Did I mention that Kool is also a black belt in Kenpo? Well, there were a couple of sequences with Kool in his class, with his master played by Jeff Speakman, who has a billed role in this despite appearing in only a handful of sequences. I think that these scenes were to show what Kool had going for him and he used his prowess in some fights later on, but these scenes did not need to be in the movie at all.

Anyway, with LaShawna in jail, Kool undoubtedly wants to get her and decides to work with a cop played by Gary Busey. Busey has Kool go work undercover to help take down Saint, the gangster from before, by having him get into the operation. It gets predictable as it goes on. Kool gets in, and does some work and then a bust goes down. One sequence has Kool go into the club where Saint is and has him use a recorder. I get that they were trying to do a sting, but is this a universe where using a wire doesn’t exist? The funny part, and I mean a sequence that got a chuckle out of me, was when Kool showed Busey the audio footage and all you hear is “Hooty Hoo” from TRU, which was played at the club.

Afterwards, during a visit from Kool, LaShawna tells him that she is pregnant. In this scene, I have to give Silkk a bit of credit for trying to act, as he is trying to project emotion into it.

So with the dirty cop now stalking LaShawna, he finds her at the prison and decides to brutally interrogate her because he happened to look in the distance when she helped out the dying cop from earlier. She knew nothing, of course, but that did not stop him from attacking her, both verbally and physically. She was then hospitalized. When Kool went to go see her, she dies in the hospital bed. Now I did not get this at all. I understand that she was pregnant and she said that she had lost the baby, but the dirty cop basically laid a few punches and kicks in her. She was bruised, yes, but he didn’t beat her badly to the point that it would be fatal. Also, it was supposed to be the day when she got out. How convenient. (End sarcasm)

Then came LaShawna’s funeral. Everyone was there paying their respects. What cracked me up was Snoop’s character standing in the distance as opposed to being where everyone else was. When LaShawna’s mother saw Kool, she immediately slapped him in the face and blamed him for her death and called him trash. Gee, where did I see THAT before? Oh, that’s right, Boyz N The Hood, which is MUCH better film than this. I wonder if Master P lifted that part from that movie. Oh, and the dirty cop decides to pull a drive-by on the funeral. Now this REALLY got me. How in the FUCK did he know it was her funeral and what did he have to gain in killing the poor girl’s loved ones? Oh, that’s right, to show that he was bad news. It then escalates into a car chase, with Kool driving a hearse of all things. The car chase had some funny camera work as there were closeups of the cars swerving and crashing into other cars. Once Kool got to the evil cop, he rear-ended a him a few times and because there was a conveniently-placed gas can in the back of the van that the bad cop drove, it lead to a cliche explosion that Kool somehow survived and for some strange reason, the van flipped right onto its wheels in the standard position, despite being badly damaged. Of course, the evil cop wasn’t so lucky.

You would think that is the end of the movie after that, huh? Oh no, not quite, and it got worse, too, as it felt like an entirely different film right after that. You see, in the story, Kool felt that there was no way of getting justice, so he decided to form a gang and rise in the criminal ranks, and they call themselves the Hot Boyz, which explains the name of the film. So let me get this straight. After a bent cop causes harm to someone and decides to shoot up a funeral, the only motivation Kool now has is to become a criminal? It went from being a crime drama to a wannabe gangster movie. What’s bad about is that this happens an hour into the film and in the final 20-30 minutes of it. We get a montage of their rise to power as Kool and his boys start shooting up the competition with so much ease that I wondered how in the hell did a gang of four just gun down hundreds of guys with little effort. Oh, and Kool managed to afford a mansion in the process. How? I don’t know, probably took it over after taking out a crime boss. Another scene had them hang a guy after they interrogated him, which then led to another interrogation scene with a cop, played by C. Thomas Howell, interviewing a thug played the film’s writer and director, Master P. I suppose P felt he needed to have at least one scene in the film where he was told about a guy he knew was hung. I don’t see what the point of that scene was. Number one, the guy who was hung was no one the audience knew as he had no other scenes beforehand. Second, Master P was never seen again after that despite being on the poster/box artwork.

Next we have another cliche in gangster films with a turncoat character wanting to work for the competition as Pee-Wee, AJ Johnson’s character, turns to Saint to help bring down the Hot Boyz. At this point, Saint was forgotten about and the last time he was seen he was busted by the cops. I wonder how much Clifton Powell made for his contribution to this film. He may not be a name actor, but he is a good actor and I respect him for all of his work. He just seemed like he was slumming right here. Anyway, Kool gets suspicious of Pee-Wee’s behavior and then comes a part where he grills him for double-crossing him, which led to Snoop shooting him. Then finally we have the big climax scene with the cops and Saint’s men coming in to kill Kool and his small gang and a big shootout starts. I must say that it’s funny to see the badly done edits for this climactic sequence. I must add that the song in the background just did not go with the sequence, either (More on this in a bit). Finally it leads to that car chase that was seen at the beginning and Kool did fall into the water after driving off the dock. Surprisingly enough, he survived, was arrested, sentenced to 30 years, but only did five because that good cop from the beginning helped him out. He started evaluate how his life turned out and that after all the shit that he went through, he thought that things were about to be different, how he wanted a life with LaShawna and their child, blah blah blah. You get the drift.

I forgot to mention this before, but there was a funny sequence with Saint being chased by the cops, he evaded them by zip-lining and falling into water. This, too, also had the multiple camera angles and edits, not to mention that if you look closely, the double for Clifton Powell was wearing glasses whereas Powell wasn’t wearing any when the camera closed in on him.

*Sigh* It will be said. I had planned to do a write-up of this film, and despite the fact that I detest this movie, I bit the bullet and decided to watch it so that I can address each and every fucking problem this movie had. The last time I watched this fully was more than four years ago, so it was not fresh in my mind for me to do it. One of the most ridiculous things that I noticed about this movie was its overabundance of the soundtrack. I get that it was a No Limit film and a lot of songs from No Limit Records were used in the film, ranging from Master P to Silkk to Mystikal, you name it, but it just sounded fucking ridiculous to hear some songs played during an action sequence. When there was a tender moment, you would hear stuff from their R&B acts like Mo B. Dick, O’Dell and Porsha. Hell, I thought that it was too much to hear C-Murder’s “Concrete Jungle” more than once. I don’t mind the music, I even have some albums from the No Limit label myself, but hearing the soundtrack was kind of overkill. Not to mention the drastic change in story in 2/3 of the way. Did Master P feel that the movie was too short for it to end with the car chase at the end? Who knows.

On the plus side, I have to hand it to Snoop Dogg for playing it straight in this film. In comparison to Mystikal and C-Murder, both of whom can’t act worth a shit, Snoop basically was just calm and cool throughout the entire film. I sort of laughed how in the final shootout, right when he was shot, he didn’t agonize in pain. He just looked down and saw the bullet wound in his chest like it was nothing. As far as other rappers from the No Limit label go who were in this movie, Mia X had a small role as a receptionist at the police station. That was mainly it.

After reading all of this, it is not hard to see how bad I felt this movie was. It was not “so bad it’s good,” it was not even “funny bad.” It was just plain bad. I may have criticized Thicker Than Water in my review, but in a lot of ways I would not mind revisiting it despite its problems. That was a bad movie, yes, but I don’t hate it, and it is MILES BETTER than this piece of shit. Even Gary Busey didn’t make this movie somewhat watchable. I don’t recommend it, although there are people out there who liked this movie, and that is fine, too. However, this movie can be a good torture technique when you want to punish someone.

As stated before, I plan to write about the other No Limit films in the future. Thanks for reading.

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Teaser trailer of “All Eyez on Me” and my take on it.

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Hello, readers. I usually try to do my posts on a weekly basis, but because I just recently found out that a teaser trailer for the 2Pac biopic, I thought that I share this with people and also my take on it.

I know that this is only the teaser and in the months to come prior to its release, there will be more shown in there. However, all I could say is that I hope that this movie is good. I was impressed by “Straight Outta  Compton” when it came out last summer, but I still haven’t revisited it, not to mention that I have not seen the director’s cut of it yet. I also remember seeing “Notorious” a long time ago, but it’s been more than seven years. I may need to watch that again soon and maybe review it on here.

All I can say is that I can’t wait until November when this comes out. Peace!

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