Year of Release: 2018
Production Companies: Summit Entertainment/Lionsgate Films/Codeblack Films/Snoot Entertainment
It can be said that there are times that a certain film that you watch that can make you feel uncomfortable, but it a positive way rather than a negative way. There are plenty of films that can and will do that to the view, and Blindspotting is definitely no exception.
This film not only stars Daveed Diggs, who starred in 2015’s Broadway Musical, Hamilton, and Rafael Casal, but this film was a passion project for these two as they had also written the film. The duo were the film’s leads, though most of the focus was on Diggs’s character, Collin, who was on his final few days of a year-long probation for a crime he committed. Casal played Miles, Collin’s hot-headed best friend who embraces the “thug life” and showed quite a disdain for the gentrification of Oakland, Calif., where this film was set and shot.
The story plays out with Collin trying to keep himself out of trouble for those last few days as he lives in a probationary home and has a curfew. However, one night while he was at an intersection, he saw a young black man running from cops and also witnessed the young man’s murder. For those last few days, he has to deal with what he witnessed, and try his hardest to keep himself out of trouble. On the positive side of things, he has his ex-girlfriend Val, played by Janina Gavankar, showing him that sometimes loyalty to toxic friends can lead to trouble. While Miles feels that he always has something to prove, with him being a white guy in a not-so-good area.
Prior to seeing this film, I had read that it was one of this year’s must-see films at the Sundance Film Festival. The movie had a really low budget, as it was obvious that it was actually shot around some rough areas in Oakland, but what really captured me when watching it was the direction and the fact that it knew when to shift its tone during the right time. This film mixed humor and drama that some of the humor came from some quirkiness, but even some of the quirkiness blended in with some of the film’s more serious moments. I also liked the director’s style when transitioning into other scenes by taking a closeup of something happening before making a cut into another sequence.
Also, one thing that I had noticed is that the film’s two leads are also rappers themselves. There were some moments in the film when they would start rapping a capella and the subject matter in the rhymes really described some of the hardships of living in a rough neighborhood. I won’t spoil anything, but there was one powerful moment when Diggs’s character started rapping about some hard-hitting subject matter. The delivery and the flow of Diggs made me want to see if he had recorded some music as well. It turns out that he has done an album before called Small Things To a Giant, which I am curious about checking out sometime. Maybe I will download it soon. I also found out that Diggs and Casal had done an EP based around the Collin character, and may release two more in the near future. Now I will need to check these out. The duo had done a video for one of their songs, and I usually don’t say this, but this is FIRE!
I don’t own this video, by the way.
Overall, this film really deserved all the praise that it got. Maybe it’s because I am a sucker for indie films, but I really thought that this movie was that good. As noted before, this made me a bit uncomfortable at times, but there were reasons why when watching it. However, it was good that it didn’t push boundaries when one could have thought it would go somewhere when watching a particular scene. I won’t say what it is, but if you watch it, you’ll know what I mean. I highly recommend it.