Year of Release: 2002
Label: Murder Inc Records/Murda Management
Here I am in my final review of the Murder Inc compilations. Okay, technically that is not true as I have the soundtrack to The Fast and The Furious to do, but I will do that for my Fast & Furious soundtrack marathon special when the eighth film comes out. But other than that, I had devoted this month to reviewing the compilations from The Inc. I may do some other stuff in the future like maybe try to review Ja Rule’s albums, maybe Ashanti’s albums and Lloyd’s albums as I am not opposed to doing reviews of R&B albums for this site. I also am considering finding a way to listen to the unreleased albums of Vita and Charli Baltimore, or at least some unreleased material that they put out. Until then, I am closing off this special with “Irv Gotti Presents: The Remixes.”
This album was released four months after “Irv Gotti Presents: The Inc,” which I can say that at the time the label was on fire (Until 50 Cent started making it a trend to hate on the label). While the second Murder Inc compilation was done to showcase what more the label had to offer during that time, this compilation was released to showcase, well, remixes, at least for the most part.
You would know if a song is a remix because on the back of the case it says “Remix,” but not all of the songs are remixes. Some of them are original tracks that feature some of the label’s talent, and I suppose that Gotti wanted to release them to help market them. Or maybe they didn’t make the cut for the previous compilation.
I first must talk about the remixes to Ashanti’s hit songs from that time. The main thing that I had noticed is that there are TWO remixes to “Baby,” one of which had Scarface and the other had Crooked I. The version with Scarface was similar to the original version and he did a couple of verses that went well with the song. I have a feeling that Face’s contribution to the song was probably because “Baby” had the exact same beat as his song called “Mary Jane” from his album, “Untouchable.” As for the version with Crooked I, he had a couple of verses, too, but there were some parts that I felt were a bit out of place when he rapped. No disrespect for Crooked I, but I didn’t exactly think much of that version. He had decent rhymes and is a good rapper, but his bit seemed out of place when he rapped about thuggin’ and stuff. Scarface, on the other hand, had some deep rhymes in that version. If anything, I think the Scarface version is better.
As for the “Happy” remix, while the original sampled the Gap Band’s “Outstanding” to some degree, this version had lifted the beat completely and it felt like a cover to that song. Ashanti even paid homage to that song in some parts, while Charli Baltimore, D.O. Cannon, and Young Merc added the raps to the song.
If you want to talk about a good remix on here, look no further than the remix to “The Pledge.” While Ashanti sang the chorus this song and the beat was the same, it felt like a different song from the original as there was more emphasis on Nas and Ja Rule rapping on this song. One thing that I noticed is that Ja took a few shots at DMX in this song (As they were beefing during that time) and he sort of bit 2Pac in some areas (Let’s not get into the closing parts of the song or the whole thing that escalated in his beef with 50 Cent), he did a good job in this song. Nas also did a good job in his part.
I could only think of one other remix to a song that was worth noting. The remix to “O.G.” from Black Child and Caddillac Tah actually improved on the original. However, the remix to “No One Does It Better” did not include Charli Baltimore at all as she was in the original. I didn’t mind it, but there could have been one verse from her when it was mainly Ja, Tah, and Black Child on it.
The rest of the album were original tracks that I wondered why they were there in the first place. One song in particular was “Me and My Boyfriend” from Toni Braxton, which Irv Gotti had produced. Now I don’t think it’s a bad song. Toni’s vocals are good as always she always impresses with her singing, but this song was more or less a knock-off or cover of 2Pac’s “Me and My Girlfriend,” but then again you also had “03 Bonnie and Clyde” from Jay-Z and Beyonce that came out around the same time. The rest of the original tracks felt like filler, with the exception of “Come-N-Go,” which was a standout.
For some reason, the album also included “Rainy Dayz” from Mary J. Blige and Ja Rule, and also “Unfoolish” from Ashanti and The Notorious B.I.G. I find this pointless considering how “Unfoolish” was already on Ashanti’s self-titled album and “Rainy Dayz” was on the 2002 re-release of “No More Drama.” In some ways I could understand the latter being on here, but in that case, there could have also been other remixes added to here like “I’m Real” and “Ain’t It Funny,” both of which had Jennifer Lopez. I am aware that they were released on different albums prior to this, but being that this was a remix album, why couldn’t they include those songs?
To Murder Inc’s credit, there were some decent tracks on here that stand out. Some of the other songs felt like filler. I am not really sure where I stand on this album, even though I very much prefer the other two compilations that they had put out. I know it’s a remix album, so it’s different, but at the same time there was some room for improvement in some areas. I would say that this album was just average at best.
Top 5 Tracks:
- The Pledge Remix
- Baby Remix (The one with Scarface)
- I’m So Happy Remix
- O.G. Remix