Soundtrack Albums

Movie Soundtrack Review – Bones

Year of Release: 2001

Record Label: Doggystyle Records/Priority Records

Click here for my review of the movie.

I have been long overdue for this. I have been meaning to write a review on this for a while, especially when I do it in the middle of October. Last year, when I devoted most of my reviews to the Flatlinerz and Gravediggaz, I felt that I was missing something. I noted in one of my reviews that doing horrorcore rap albums should not really matter in the middle of October, as there are numerous horrorcore acts out there. But I had meaning to do this regardless. However, it would be hard to really label this a horrorcore album, as there were very few songs of that nature on this. How so? Well, let’s find out.

This soundtrack kicked off with an intro bit that had Snoop Dogg, who played the title character from the movie, “Bones,” of which this was the soundtrack. It was not really a song, but rather a narration of the character and his cause with music in the background. It had a nice beat to it, as it quite a funky and jazzy feel. However, what really kicked it off was the song, “The Legend of Jimmy Bones” from RBX, Snoop, and MC Ren. THIS song really had the horrorcore feel, and in a lot of ways, it was related to the movie as it talked about some bits of the plot, not to mention that there was a sound clip from the movie towards the end. The beat really gave it an unsettling feel.

One could expect that this album had a lot of Snoop’s affiliates on it, and that would be correct. Being that this was released under Snoop’s label, it seemed that it was to showcase some of the talent that it had. One song that stood out was “Lost Angels in the Sky” from Lost Angels and Kokane. I am not familiar with Lost Angels, though I am familiar with Kokane, who had done a lot of hooks for Snoop and crew back in the day. It had a great beat done by Battlecat, who had done “G’d Up” from Tha Eastsidaz and “We Can Freak It” from Kurupt in the past. In fact, a lot of people from Snoop’s crew appeared on here, ranging from Kurupt to Nate Dogg, and what better guy to do a hook on a song than this guy? May he rest in peace, by the way.

What I find funny is the song, “It’s Jimmy” from Kurupt and Roscoe. Not a bad song by any means, especially when it’s a collab between this brotherly duo, but this album came out around the time of “The Saga Continues” from P. Diddy and the Bad Boy Family, and the chorus was similar to the song “Diddy.” I am certain that the chorus was derived from another song, but it’s hard not to compare the two.

One song that can really get your head bump is “Death of Snow White,” which featured Bad Azz, along with Chan and Coniyac, 2/3 of short-lived female rap act Doggy’s Angels (Remember them?). Funny I should mention them as the other member, Kola, appeared on the track that followed called “If You Came Here To Party.” Warren G produced a phat beat for that track. If anything, some of these songs could be played at parties or gatherings, and some of them can be danced to, especially “Raise Up” from Kokane. Also, Snoop did a damn good job at paying homage to “Payback” from James Brown on “Jimmy’s Revenge.” Fredwreck did a good job on the production of this song, one of many songs that he produced for this album.

However, it was not just Snoop’s own crew on this album, as there were some cuts from D12 and Cypress Hill. I can’t complain about “These Drugs” from D12, and things were hot for them during the time this came out as “Devil’s Night” came out the summer of that same year. Cypress Hill has never disappointed me with their music, so it was no exception, though I will say a longer version of “Memories” appeared on their album “Stoned Raiders,” which was released not too long after this album had come out. There was another track from a group that was outside of Snoop’s circle, as Outkast appeared on here and collaborated with Snoop on the remix to “So Fresh, So Clean.” I don’t mind that track, by the way, but it felt kind of loud when hearing the beat. Another song from FT was actually pretty dope on a lyrical level and the beat wasn’t too bad either. It had an East Coast vibe to it.

One thing that I had noticed when I was younger is that a lot of these hip-hop soundtracks more often than not had to have at least one R&B track for some reason. Now I do like R&B, but it just seemed that there were not a lot of hip-hop movie soundtracks that were top-to-bottom rap. Anyway, I did like the song “Ballad of Jimmy Bones” from Latoiya Williams, as it did relate to the movie and her soulful vocals really captured the feel for the song. As for “This is My Life,” the singer Kedrick has some decent vocals, but it would have been better if CPO had at least another verse, so it could have been equally singing and rapping. I also liked how “Be Thankful” from William Devaughn was added, as that song was played in the movie. It was a shortened version, as there needed to be more room for the other songs. However, I don’t think that the song “Endo” needed to be put in, as I was not sure what the purpose was. Was it an original score track? I know that Fredwreck produced it, but it just didn’t feel like it needed to be on it.

This album had a good amount of variety on here, but it really did not have a horrorcore vibe as a lot of the cuts were gangsta. Some were even good to play at parties. Even 17 years later, this album still holds up.

4/5

Top Five Tracks

  1. The Legend of Jimmy Bones
  2. These Drugs
  3. Memories
  4. Ballad of Jimmy Bones
  5. Fuck With Us
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Rap Movie Reviews

Rap Movie Review – Superfly

Year of Release: 2018

Production Company: Columbia Pictures/Silver Pictures

Remakes are not a new concept in cinema, despite what some people may believe, not to mention that when a remake is being made, most movie fans go up in flames because of it. Of course, with them being all the rage in this day and age, it should not be much of a shock that a 1972 Blaxploitation film called Superfly was going to be remade, even though I personally did not see something like this coming.

This new film followed a similar plot to the original in that Youngblood Priest, played by Trevor Martin, is a well-known drug dealer who wants to do one last deal before leaving the game. Of course, certain things prevent that, otherwise we wouldn’t have a movie. He has several conflicts along the way, such as a rival dealer and his gang, as well as the right-hand man who had it in for Priest from the start. Other conflicts involve a Mexican drug dealer, Priest’s mentor, and of course, crooked cops. It is basically what you would see in a movie about drug dealing and gangs, so it’s really nothing that you have not seen before.

So what did this new take on the 1972 film have to offer? One thing that is inevitable is that people are likely going to compare and contrast, especially if the movie is 46 years old. There is no escaping it, but really, this film has its own identity, despite having a similar plot and the main character shares his name with the protagonist of the original. The movie itself, however, is set in the modern world. This movie was directed by Canadian-born Director X, whose real name is Julien Christian Lutz, who is also a music video director. A lot of this movie was shot like a modern rap video with guy’s sporting bling and women wearing as little as possible. Not to mention that some action sequences had some slow-motion effects, whether it was from a hand-to-hand fight scene or a high-speed chase sequence. Another thing that this film differed from the original is that it had more of hip-hop/gangsta-style flavor to it, but that didn’t mean that there were no callbacks to the original, as some sequences had Curtis Mayfield’s songs like “Pusher Man” and of course, “Superfly” from the original film. But this time around, because Future had produced this film, he also had a hand in the production of the soundtrack and it showed as a lot of his songs were played.

Trevor Martin did a decent job playing the role of Priest. He mostly played him as a calm-type who kept his head in all situations, even in situations that were more for one to handle. Jason Mitchell, whom had portrayed Eazy-E in Straight Outta Compton, as well as appeared in 2016’s Keanu and Kong: Skull Island, stole a lot of scenes that he was in as Eddie, Priest’s right-hand man. He had brought a little comic relief into the film, even though it was predominately serious. Another standout performance was from Jennifer Morrison, who played crooked Detective Mason. She had quite an odious aura about her, enough that you wanted to see something happen to her in the end. I will say the same thing about Brian Durkin, who played an even bigger jerk of a crooked cop, Detective Franklin. Also, I was surprised to see appearances from Rick Ross and Big Boi, who played the mayor of Atlanta, where this film was set.

There were some sequences that stood out for different reasons beyond getting a good thrill from the action, or getting a laugh from a funny moment. For example, one sequence had Priest visiting his mentor Scatter, played by Michael Kenneth Williams, who was running a martial arts school. The two engaged in a friendly sparring session, while talking about taking chances and trying to get out of the drug game. Of course, not without using some martial arts techniques in the process, which ended with Scatter putting Priest in an armbar. Another sequence that stood out was the gratuitous sex sequence, when Priest was taking a shower and his two girlfriends get in there with him and you get the idea. So there was a threesome sequence, for no other reason than just some fanservice. Not to mention a tackle on racial issues at the end of the car chase scene. It almost seemed that some scenes were added in as a subtle homage to the old Blaxploitation films from the 1970’s. I will admit, I have not seen enough of them, but I have seen some, including the 1972 Superfly.

Another thing that I must add is that it has been years since I have watched original film. I am also aware that there were sequels, one being Superfly TNT from 1973, and The Return of Superfly from 1990, which had a different actor playing the protagonist that time around than Ron O’Neal when he was in the original two films. Maybe just for kicks one day, I might do reviews on them.

The thing about this film is that it is a decent way to pass the time, if you’re going in expecting a bunch of cliches from crime films involving gangsters and drug dealers. It is not that good of a movie, but I would give it some credit where credit is due as the performances were good, and the story was actually decent.

3.5/5

P.S. I may do a review on the soundtrack. I just need to get my hands on it first.

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The Best Rap Songs To Smoke To.

420-state-of-the-union

It is 4/20 and here is a list of some of the best songs about weed. They are not in any particular order, nor is it a Top (insert number) list.

Take A Hit – Mack 10

Roll It Up, Light It Up, Smoke It Up – Cypress Hill

Fried Day – Bizzy Bone

I Got 5 On It (Reprise) -Luniz (I prefer this version over the original)

Down 2 Tha Last Roach – Eazy-E

Smokin’ – Nas

Dr. Greenthumb – Cypress Hill

Hits From The Bong – Cypress Hill (The original, although I also liked the remix, you can’t beat that Dusty Springfield sample)

I Love You, Mary Jane – Sonic Youth and Cypress Hill

Crumblin Erb – Outkast

Smokin’ and Ridin’ – BJ The Chicago feat. Freddie Gibbs and Problem

How High – Method Man and Redman

Part II – Method Man and Redman

Cisco Kid – Cypress Hill, Method Man and Redman

There are so many to choose from. I might list some more later. PEACE!

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