Year of Release: 2001/2002
Record Label: Empire Musicwerks/BMG Music
Here I am in my final Gravediggaz album review, which is of their third and final album, and also as part of my horrorcore special (That doesn’t I can’t do horrorcore album reviews outside of Halloween-time).
Before I get into the review of the album, it must be noted about the background of this album. By the time this album was already in production, the two main producers, RZA and Prince Paul, respectively known by their aliases “The RZArector” and “The Undertaker,” (I often wonder if there was copyright infringement on the name because it was shared with the well-known pro wrestler, despite the title being an actual profession) had left the group. It was even noted in the liner notes in the CD booklet that RZA had other obligations to attend to (During that time, he was likely working on his solo second album, “Digital Bullet,” along with the two Wu-Tang Clan albums, “The W” and “Iron Flag,” and likely also working on production on solo albums from Wu members).
Also, during the time this album was being produced, Too Poetic, also known as Grym Reaper, was suffering from cancer and in spite of it, he still gave it his all in his contribution to the album. He passed away not long before the release of this album. So it was fitting that this was released as a posthumous album. It also should be noted that with the absence of Prince Paul and RZA, this album was produced by Frukwan (Gatekeeper), Poetic, True Master (who had contributed to “The Pick, The Sickle and The Shovel”), Diamond J, and LG. So with or without RZA and Prince Paul, it had no effect on the quality of the album.
Anyway, how does this album compare to “6 Feet Deep” or “The Pick, The Sickle and The Shovel”? Well, credit is given where credit is due. Some of the instrumentals in some of the tracks were a little weaker than its predecessors, though the lyrical content is still really sharp. The instrumental used for the skit, “Last Man Standing,” was eerie, as it was not only produced by Frukwan and Poetic, but also True Master, Diamond J, and LG.
The first actual song on the album, “Bloodshed,” actually kicked the album off on a high note. Frukwan and Poetic delivered some great rhymes mixed in with a dope beat.
Also, it seemed that there were some appearances from Wu affiliates once again. “False Things Must Perish” had an appearance from Prodigal Sunn, of Sunz of Man, which is funny because Killah Priest and Shabazz appeared on the previous album. Yet, another member appeared on this one. There was also an appearance from Shogun The Assasson, of Killarmy, another group affiliated with Wu-Tang. He appeared on the song, “Man Only Fears.” Both rappers did a good job in their respective appearances.
I can’t think of a lot of negative things to say about this album, except for maybe a couple of tracks, which were “Running Game On Real” and “Wanna Break,” but their flaws were mainly the beats. The beats sounded rather messy and too bassy for my tastes.
Frukwan and Poetic did a great job in the lyrics in all of the songs, but I have to give a lot of credit to Poetic for even going so far as to rap about his illness in “Burn Baby Burn.”
Yo, pain builds my character
Deranged cancer cell begin to damage my shell
Tissues begin to swell
A human pin-cushion needles begin pushin’
Through my, melanin color, blood begins gushin’
Hunger, pain is, fed through my veins
Tryin’ to maintain body and brain under strain
Belly bein’ drained from my nose through a catheter
To maintain my stamina, game is high caliber
Flashback my dossier file before the hospital
Lots’ll pay a pile of cheddar to see me rock my style
Got lots of smiles from man woman and child
A grave digga here runnin’ wild like the Nile
Ghetto, X-File, the horoscope bringers
City morgue singers, new rap era beginners
Four years out of seven I remember tourin’
And this year I’m measurin’ my urine
I didn’t know this when I bought this album, but it appeared that there was an original version of this album. There was actually an original release that had come out a few months after Poetic’s death and according to a review on Amazon.com, it said that there were a couple of extra tracks on it. Also, what was noted was that there were different beats used on certain tracks, for example, “Bloodshed” had a different beat on the 2001 release. I am now curious about getting my hands on this version so that I can hear the differences, though I COULD listen to them on YouTube, but still.
Overall, issues with the production aside, being that it was slightly weak (But by no means bad), this album was actually a good swan song for this group. It is a shame what happened to Poetic because he had the skills and talent to really shine as a solo artist. Frukwan later released his own album after that, which I may check out down the road one day. I might even check out his work with Stetsasonic. This was actually a decent album.
Top Five Tracks:
- False Things Must Perish
- Burn Baby Burn
- Man Only Fears
- Nightmare in A-Minor